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Whole-Tone Scale
A Acoustic Scale | Aeolian | Aeolian b5 | Aeolian #3 | Aeolian Major 3rd | Aeolian Major 7th | Aeolian Natural 7 | Aeolian Pentatonic Scale | Altered bb7 Mode | Altered Dominant Scale | Altered Dorian | Altered Mode | Altered Pentatonics | Altered Scale | Arabic Scale | Ascending Melodic Minor Scale | Augmented Scale | Augmented Scale Form 2 | Augmented Scale Mode II B Basic Scales | Blues Scale | Blues Scale (Variation 1) | Blues Scale (Variation 2) | Blues Scale (Variation 3) | Blues Scale (Variation 4) | Blues Scales | Byzantine Scale C Chromatic Scale D Debussy Scale | Descending Melodic Minor Scale | Diminished Dominant Scale | Diminished Scale | Diminished Whole-Tone Scale | Dominant Diminished Scale | Dominant Whole-Tone Scale | Dorian | Dorian b2 | Dorian b5 | Dorian b9 | Dorian b2 b5 | Dorian b5 b9 | Dorian #4 | Dorian #11 | Dorian Pentatonic Scale | Double Harmonic Minor Scale | Double Harmonic Scale F Flamenco Scale | Freygish Scale G Guitar Scales | Gypsy Minor Scale H Half Diminished Scale | Half step - Whole step Scale | Half-Whole Diminished Scale | Half-Whole Scale | Harmonic Major Scale | Harmonic Major Scale Modes | Harmonic Minor Scale | Harmonic Minor Scale Modes | Hindu Scale | Hungarian Minor Scale I Inverted Augmented Scale | Inverted Diminished Scale | Ionian | Ionian b2 | Ionian b3 | Ionian b6 | Ionian b9 | Ionian b13 | Ionian b2 b6 | Ionian b6 b9 | Ionian b9 b13 | Ionian #5 | Ionian Augmented J Jazz Minor Scale | Jazz Minor #4 Scale | Jazz Minor #11 Scale | Jazz Minor Inverse K Kumoi Scale L Locrian | Locrian b4 | Locrian b11 | Locrian bb7 | Locrian #2 | Locrian #6 | Locrian Diminished 7 | Locrian Natural 2 | Locrian Natural 6 | Locrian Natural 9 | Locrian Natural 13 | Locrian Pentatonic Scale | Lydian | Lydian b2 | Lydian b3 | Lydian b7 | Lydian b9 | Lydian #2 | Lydian #5 | Lydian #9 | Lydian #2 #5 | Lydian #5 #9 | Lydian Augmented | Lydian Augmented #2 | Lydian Augmented #9 | Lydian Diminished | Lydian Dominant Scale M Major b2 Pentatonic Scale | Major b6 Pentatonic Scale | Major Pentatonic Scale | Major Scale | Major Scale Modes | Man Gong | Melodic Minor (Descending) Scale | Melodic Minor b6 | Melodic Minor b13 | Melodic Minor Scale | Melodic Minor Scale Modes | Minor Pentatonic | Minor Scales | Minor Third - Half Step Scale | Mixo-Blues Scale | Mixolydian | Mixolydian b2 | Mixolydian b6 | Mixolydian b9 | Mixolydian b13 | Mixolydian b2 b6 | Mixolydian b9 b13 | Mixolydian #4 | Mixolydian #11 | Mohammedan Scale | Music Modes | Music Scales | Musical Modes N Natural Minor Scale | Neapolitan Major Scale | Neapolitan Minor Scale O Other Scales | Overtone Scale P Pentatonic Major | Pentatonic Minor | Pentatonic Mode I | Pentatonic Mode II | Pentatonic Mode III | Pentatonic Mode IV | Pentatonic Mode V | Pentatonic Modes | Pentatonic Neutral | Pentatonic Scales | Phrygian | Phrygian b4 | Phrygian b11 | Phrygian #3 | Phrygian #6 | Phrygian Dominant Scale | Phrygian Major | Phrygian Major 3rd | Phrygian Natural 6 | Phrygian Natural 13 | Phrygian Pentatonic Scale | Piano Scales | Pomeroy Scale | Pure Minor Scale R Ravel Scale | Relative Minor Scale | Ritusen Scale | Romanian Minor Scale S Scales (other) | Scales and Modes | Scottish Pentatonic | Six Tone Symmetrical | Spanish Gypsy Scale | Spanish Phrygian Scale | Super Locrian | Super Locrian bb7 | Super Locrian Natural 5 | Super Lydian | Suspended Pentatonic | Symmetric Scales | Symmetrical Augmented Scale T Types of Scales U Ukrainian Dorian Scale | Ukrainian Minor Scale | Ultra Locrian | Unitonic Scale W Whole step - Half step Scale | Whole-Half Diminished Scale | Whole-Half Scale | Whole Note Scale | Whole-Tone Scale
The Whole-Half scale alterns whole and half-tones
A particularly easy scale is the whole tone scale, so called because all the steps in the scale are whole steps. A C whole tone scale consists of "C, D, E, F#, G#, Bb". It has only six notes, and all six of its modes (including itself) form whole tone scales. There are thus only 12/6 or 2 different whole tone scales. The other one is "Db, Eb, F, G, A, B".
Since the first, third, and fifth degrees of this scale form an aug- mented triad, this scale can be be played over augmented chords. This scale also contains the note that would be the seventh in a dominant chord (that is, Bb in a C7). The chord implied by this scale is written either as C7aug, Caug, C7+, C+, or C7#5
AKA "Debussy scale"
The Whole-Tone scale skips from tone to tone
This scale has 6 notes
That means that, in fact, there are only two Whole-Tone scales, one starting from A, B, C#, D#, F or G and one starting from Bb, C, D, E, Gb or Ab.
Right hand fingering for the first example over two octaves is
C D E F# G# A# C D E F# G# A# C
1 2 1 2 3 4 1 2 1 2 3
4 5
Left hand fingering for the first example over two octaves is
C D E F# G# A# C D E F# G# A# C
3 2 1 4 3 2 1 2 1 4 3
2 1
Right hand fingering for the second example over two octaves is
F G A B C# D# F G A B C# D# F
1 2 3 1 2 3 1 2 3 1 2 3 4
Left hand fingering for the second example over two octaves is
F G A B C# D# F G A B C# D# F
4 3 2 1 3 2 1 3 2 1 3 2 1
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